The metrical irregularity is intentional, because I want, as it were, to put you apart: to change the lilt and the mood altogether when I speak of you. The commissionaire stood there, tall and imperturbable. “Well, because I don’t see any reason why I shouldn’t. What hotel should she go to? If she told a cabman to drive to an hotel, any hotel, what would he do—or say? He might drive to something dreadfully expensive, and not at all the quiet sort of thing she required. It’s—it’s a serious prohibition.
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