‘Why, that’s one of the names with which she tried to fob me off. It was for ever. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. Once she stopped in front of a mirror and looked at herself thoughtfully. “Let us put the lamp out,” she said; “the flames are ever so much better for talking,” and Ann Veronica agreed. ” She said, embarrassed.
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