But she found an unknown lady’s discarded garments, and selected some of those that she tried on, sending Kimble off down the secret passage to load them onto the horse she had borrowed—unbeknownst to its owner—from Father Saint-Simon. All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her. .
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